Videoset FVU AKU BB
  Prix Ars Electronica 2007
  Martin Blažíček + Ondřej Vavrečka: P-P (Pleonasmus)
Martin Blažíček: Periphery

  LBDK: Honeg
Ľúbozvučné konvalinky

 
26. April – 03. May 2008, Stanica Zilina-Zariecie, SK_Zilina
screening
 
A presentation of videos by students and graduates of the Faculty of Visual Arts at the Academy of Arts in Banská Bystrica. Short films which heterogeneously reflect and interpret themes associated with, for example, individual catharsis, corporeality, or social questioning.
   

 
27. April 2008 19h, Trojka café in Kunštát, CZ_Brno
28. April 2008 20h, Stanica Zilina-Zariecie, SK_Zilina
30. April 2008 17h, A4 - Zero Space, SK_Bratislava
screening
 
Screening of the last year's Prix Ars Electronica awarded videos and animations. The "Computer Animation / Film / VFX" category has been part of the Prix Ars Electronica since its very inception. It recognizes excellence in independent work in the arts and sciences as well as in high-end commercial productions in the film, advertising and entertainment industries. In this category, artistic originality counts just as much as masterful technical achievement.

http://www.aec.at/en/prix/winners.asp
   

 
01. May 2008 20h, Stanica Zilina-Zariecie, SK_Zilina
Martin Blažíček (CZ), Ondřej Vavrečka (CZ), Angakok Thoth / Daniel Tóth (SK), Jonatán Pastirčák (SK) (Pjoni)
Truc sphérique
performance, screening
 
An audiovisual performance by P-P (Pleoplasmus) manipulates old 16mm film and thematizes a projection situation, which primarily involves the space between the projector’s lens and the screen. Screening of a film by Martin Blažíček with live music by Angakok/ Pjoni.
   

 
03. May 2008 20h, Stanica Zilina-Zariecie, SK_Zilina
LBDK (CZ), Ľúbozvučné konvalinky (SK)
Truc sphérique
performance, concert, screening
 
LBDK – Honeg is a manual story based on the motifs of the cult sci-fi writer Jiří Kulhánek, narrated with the help of an episcope, meotar, a slide projector and other sources of light. Ľúbozvučné konvalinky is a project which focuses on sound experiments, which at the same time manipulate and even destructively intervene in video images.
 
 
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